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Hiking to the Taino Cave
The tour to the Taino cave is a 2-day adventure to a remote cave
filled with Taino drawings. The Taino Indians were the original
inhabitants of the Dominican Republic. After hiking to the cave with your
personal guide, you will spend the night there, then return the next day.
The hike is a beautiful but long trail that features lots of incredible scenery.
Costs
$79 - Includes breakfast, lunch, dinner, a guide, and
a tent.
This is a 2 day hike. On the first day after breakfast you
will hike to the Taino cave, then spend the night there. The next day you
return to Rancho Wendy.
Testimonial
It first
struck me as I gazed from the window of the plane.
The island below, small and innocuous on the
in-flight map, immediately came alive with the
sharp contours of her mountainous terrain. Little
huts and smallholdings, daubed in exotic shades of
blue and pink, appeared like tiny pinheads on a
map - and I felt a rush of excitement that this
island still belonged to nature. In that split
second a craving for adventure was instilled - I
could not wait to plunge into the mysteries of
those jagged emerald ridges and the plummeting
gorges, almost black in the shadows. The stately
name of "Dominican Republic" seemed a little
inappropriate to describe what I saw. This
imposing sight was more evocative of Quisqueya,
the name by which the Taino Indians had known the
island before the Spanish took it from them.
Seizing my first chance to get off the highway, I found myself in
the sparse Cordillera Central west of Bonao. I had literally reached the
end of the road - the last hurricane had torn it away to leave a knife-edge
precipice. From there a mule track led us up into the hills. We were in search
of a cave several hours away containing Taino art.
To begin with we ascended a zigzagging trail through shaded pine
forest. To breathe the delicious fragrance of these altitudes is like stepping
into a different world from the musky aromas of the tropical maritime climate of
the coast.
Pine, orange, limoncillo, and
eucalyptus - it’s a heady cocktail and one that I took in until my lungs were
ready to burst.
Once you get to
above 2,500 meters, the temperature is either hot or cold, with little
mid-ground.
During our ascent onto the ridge, the cloudy skies favored us, but on arriving
at the top the prickly heat of the sun made itself known.
The mid-morning sun fell gloriously upon the
lost valleys. In the spring the leaves of the omnipresent Framboyan tree turn a
deep, vivid orange. Local belief has it that this timely occurrence is to
remind Christians of the blood shed by Jesus Christ at this time. The effect is
a unique spectacle as the mountains are banded by floral stripes the color of
orange bell peppers.
So the path rises and drops over one of those pristine emerald ridges i’d seen from
the window of the plane. I learned later that going up is the easy part,
so it pays to drink up the endless mountain vistas while you can. Breaking the
piercing silence, my companion began recounting the myths that the people of the
area still adhere to. About the benevolent and malevolent Indian spirits who
roam the hills. Precious little must have changed since this area was first
settled more than five hundred years ago by desperate Tainos fleeing the bitter
backlash of Columbus’ initially peaceful overtures. World and Dominican history
has traditionally made it understood that the Tainos were all but exterminated
by brutal repression. However, in recent years, genetic tests have showed that
the number of those who resisted the genocide was much higher than earlier
thought. No Spaniard in his right mind would have followed the runaways into
these parts. So it was that runaway communities made this difficult terrain
there new home, farming the steep slopes in their timeless way. For a group
supposedly extinct 100 years after the discovery of Hispaniola, their influence
remains a profound and proud one on the language, culture and identity of
Dominicans today.
We
arrive drained at the cave, a strange and giant boulder that juts out of the
mountainside in a worrying insecure fashion. On the vast shadowed flipside are
some impressive carvings in remarkable condition. Taino art styles have become
a particular favorite of mine. Known for their communal use of hallucinogenic
plants, the Taino artists were clearly more into impressionism than realism. The favorite subjects here is the head, with a kaleidoscope of facial
expressions from deeply tortured to deeply narcotized. And
onwards the mountain trails lead, crossing streams and winding through valleys.
It would be a nice place to camp. But we decided, with leaden legs and empty
stomachs, to head back to Blanco.
Going down was another story.
A battle not
to slip on your ass along trails littered with dry, loose gravel. Comedy
tumbles are frequent, with arms searching for balance in an exaggerated windmill
style. At times it is pretty edgy, those dark shadows beneath seem to have no
definite end to them. Bringing a rather black sense of humor to our plight, my
companion leads us past a gravestone poised dramatically on a cliff edge at a
sharp corner of the trail.
“A man riding home drunk one night... he never made it,” my guide informs. Awed
by this image of the mountain taking the life of the drunken horseman I fall
into silent reverence for the rest of the descent.
These
remote hills remain an untouched monument, a ghostly museum of the Taino race.
For us today it is peaceful - the pleasing whisper of the long grass and the
hush of distant waterfalls desperately crashing to the valley floor. But close
your eyes and it is easy to see this place strike an eerie terror into the heart
on a less welcoming day.
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